Whether you're closing to a jury, taping for a series, or opening a season — the work is the same: say what matters, and make the room believe it. Coached one-on-one, online or in person, by one of Canada's most decorated directors.
Tiered pricing, deliberately: professional rates for professional stakes, artist rates for the community. All sessions available online or in person in St. John's, NL. Prices in CAD.
Rhetorical argument taught through Shakespeare — the texts trial advocacy was built on. Structure, presence, examination as scene work, and delivery under pressure. Danielle has taught argument to some of the country's top lawyers.
Prepare with a coach who worked in casting for over a decade — Frontier, Hudson & Rex, Republic of Doyle, Maudie. She knows exactly what the other side of the table is looking for, because she's sat there.
Acting, directing, and producing — with a founder of two theatre companies, a Stratford Birmingham Conservatory alumna, and eighteen years of university teaching. Mentorship for the artists building what's next.
For more than thirty years, Danielle Irvine has directed theatre of every size in every kind of venue — including a landmark production that ended 650 feet underground in a Bell Island mine. She has directed for the Stratford Festival's Birmingham Conservatory, led the National Theatre School of Canada's Shakespeare Project, taught at Memorial University for eighteen years, and studied with Peter Brook, Yoshi Oida, and Polly Teale.
Her casting credits span the best-known television made in this country. Since 2014 she has been Artistic Producer of Perchance Theatre, Newfoundland's open-air classical stage.
Live, small, and taught in real time — online or in St. John's. Self-paced editions will follow; the rooms come first. Join the list for founding pricing.
Six weeks, live: a weekly 90-minute seminar on classical argument through Shakespeare — half teaching, half workshop, with every participant directed personally. Sixteen seats.
A small-group intensive — three hours, eight actors. Bring a tape; leave with what casting actually sees, from the casting side of Frontier and Hudson & Rex.
A one-day producing intensive, idea to opening night: budgets, grants, rights, and company-building — from a founder of Shakespeare by the Sea and Sweetline Theatre.
“Testimonial to come — a line from one of the lawyers Danielle has taught belongs here.”
“Testimonial to come — a working actor Danielle has coached or cast belongs here.”
Tell Danielle what you're preparing for — a trial, a tape, a season, a speech — and she'll tell you honestly whether she can help.
Online worldwide · In person in St. John's, Newfoundland & Labrador · Prices in CAD